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Posts Tagged: dana cameron

Today I’m turning my blog over to my good chum, Dana Cameron.  We’ve known each other a long time since our first books came out the same year and we did a reading at Bouchercon.  So it gives me great pleasure to give her a little space to discuss her latest.  Take it away, Dana!

Hellbender front coverLike my esteemed blog host, I draw a lot of my writing from my experiences, in particular, travel, museums, and archaeology.  So I figured I’d share a few elements of my new Fangborn book, Hellbender, that had their roots in my life.

For example, I once had a very “Buffy the Vampire Slayer” day in Istanbul.  We were exploring the Old City with a very knowledgeable tour guide.  At one Greek Orthodox church, the priest and guide offered me some of the water from the holy spring—to drink.  Now, I’m usually pretty careful about my water when I travel, and was caught between being a good guest and not being imprudent.  I drank it, under their approving looks, and surrounded by wonderful ancient icons.  The rest of the afternoon was spent wandering through ancient sites, and the Basilica Cistern (where they, among other things, filmed “From Russia with Love”), with a bottle of holy water in my pocket.  A very touristy moment in some ways, but as a writer, all I could think was:  This is totally going into a book.

Another example.  Hellbender starts in Kanazawa, Japan, where Pack of Strays left off, mostly because of the wonderful things I saw on that trip.  One experience made a particular impression on me:  We observed a master calligrapher in action.  Now, I fooled around with calligraphy in high school, because I loved the pen, ink, nibs, and the different fonts, and I mention that only because it means I had a very approximate idea how much work goes into Western calligraphy, which is a whole world away from traditional Japanese calligraphy.  Watching this calligrapher work was enthralling, and the focus she was able to exert was a privilege to observe.  She said that she waits for her inspiration while grinding the ink at the start of the day, and sometimes, she spends all day grinding ink.  Every artist, every writer has been there.  And I have the piece she made for me, in a very traditional style:  it reads monogatari or “narrative.”  I put a calligrapher into Hellbender, but with a very special twist to her work.

The last of many elements I cadged from real life for my work was from Alaska.  Many of you will remember the Anchorage Bouchercon in 2007; there was a program to fly writers into the bush, to small villages, to talk to school students about writing. I was lucky enough to participate, and only found out when I was en route that no one wanted to tell me that I was flying into “one of the ten most dangerous airstrips in Alaska.”  Just hearing those words made me want to write something, so I finally got to use it to move Zoe en route from Japan back to Boston.  There’s something about being in the middle of that wilderness, in a very small plane, that inspired a lot of emotion on the way in (mostly fear), but by the time I left, I was so excited about the plane ride that the pilot circled the little village so I could take pictures from above.

DanaCameronBio:  Dana Cameron can’t help mixing in a little history into her fiction.  Drawing from her expertise in archaeology, Dana’s work (including traditional mystery, noir, urban fantasy, historical fiction, and thrillers) has won multiple Agatha, Anthony, and Macavity Awards and earned an Edgar Award nomination. Her third Fangborn novel, Hellbender, will be published in March 2015 by 47North.  Her most recent Fangborn short story is a Sherlockian pastiche; “The Curious Case of Miss Amelia Vernet.”  Her story, “The Sun, The Moon, and The Stars,” featuring Pam Ravenscroft from Charlaine Harris’s acclaimed Sookie Stackhouse mysteries, appears in Dead But Not Forgotten: Stories from the World of Sookie Stackhouse.   WWW.danacameron.com

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It’s my birthday so I’m taking a day off and handing SHELF LIFE over to my short story nemesis, Dana Cameron.  She’s got a new book out tomorrow so here’s a little bit about it.  Take it away, Dana.

**warning:  Contains spoilers if you haven’t read Seven Kinds of Hell**

Pack of Strays is the second book in my Fangborn series of urban fantasy adventures.  A little background:  Seven Kinds of Hell introduces Zoe Miller, a young archaeologist with serious personal problems; one of them is that she fears she’s going crazy when she feels flashes of uncontrollable violence.  She eventually learns that she is not only a werewolf, but Fangborn, one of a family of werewolves, vampires, and oracles devoted secretly to protecting humankind from evil.  Some of the Fangborn want to remain hidden from humanity but a large minority want to Identify themselves as supernatural creatures, possibly to rule humankind.  Zoe ends up on the run with werewolf PI Gerry Steuben and his psychiatrist sister (a vampire), Claudia Steuben (introduced in the short story, “The Night Things Changed”).  While she tries to come to terms with the realization that she is a werewolf—and get a handle on her abilities—she must track down certain mystical artifacts that are the ransom for her kidnapped cousin, Danny.  This leads to a showdown between many powerful factions, including a US senator, a Russian kidnapper, and her Fangborn Cousins.

While Seven Kinds of Hell was about Zoe learning that she is a werewolf, in Pack of Strays, she’s using her archaeological skill to unravel the Fangborn past.  Zoe’s discovering that not being raised within a Fangborn family actually gives her perspective on their most deeply-held beliefs, some of which are disastrously starting to unravel.  She’s also on a mission to learn about her own past and because of the bracelet that Pandora’s box embedded into her wrist, she’s prey to visions that drive her to go after more and more powerful artifacts.  She’s showing abilities no werewolf—no Fangborn—has, and that’s making her the target of the Order of Nicomedia (first introduced in “The Serpent’s Tale”), who are dedicated to eradicating the Fangborn altogether.  She learns that her friends, including her lover Will, believe that she’s abandoned them and is being driven to evil by the bracelet.  Fangborn politics and the Order’s tactics are combining in the worst way, bringing the Fangborn closer and closer to being revealed to humanity.

What I love about writing this series as well as the seven (so far!) short stories set in this ‘verse is that I get to play with different periods of history and how the Fangborn might have behaved throughout time.  Whenever I visit museums and historical sites, I am always on the lookout for images of wolves, snakes (my vampires have a serpentine aspect), or ravens (symbolic of my oracles), playing with how the Fangborn might have fit into a particular culture.  Studying folklore and mythology from all over the world lets me find ways to suggest that the Fangborn attempts to cover their tracks failed, and being observed with their shape-shifting abilities, found themselves incorporated into local cultural traditions.  So far, I’ve tackled Boston during the Second World War, medieval England, and the ancient Olympic games. 

The other thing I adore is giving Zoe the chance to show what archaeological reasoning can do.  She may not be a very good archaeologist—in Strays, we see her stealing artifacts, partly to keep them out of the hands of the Order but mostly because the bracelet is driving her to accumulate more of them—but she makes the most of the skills she has.  Actually, Zoe makes the most of everything she has, and that’s one of the reasons I keep challenging her—and she keeps challenging me.

Bio: Dana Cameron can’t help mixing in a little history into her fiction. Drawing from her expertise in archaeology, Dana’s work (including traditional mystery, noir, urban fantasy, thriller, and historical tales) has won multiple Agatha, Anthony, and Macavity Awards and earned an Edgar Award nomination. Her second Fangborn novel, PACK OF STRAYS will be published April 15, 2014 by 47North.  A Fangborn short story, “The God’s Games” appears in Games Creatures Play and Dana’s story, “The Sun, The Moon, and The Stars,” featuring Pam Ravenscroft from Charlaine Harris’s acclaimed Sookie Stackhouse mysteries, will appear in Dead But Not Forgotten: Stories from the World of Sookie Stackhouse in May. 

           

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Today’s bit is a guest spot from Dana Cameron. Dana and I have been good chums for years so that’s why I’m entrusting Simon Sez over to her. She’s also the proud mother of a brand new book, Seven Kinds of Hell.

Got Imagination?

By Dana Cameron

 
When I was growing up, I thought briefly about becoming a writer, but ultimately decided against it.  Because I wasn’t interested in getting into bar fights or running with the bulls, I figured I would never make it.  So, at the tender age of six or seven or eight, I put that dream aside and shortly thereafter was bitten by the archaeology bug.  I think about that now, and I’m struck by two things.  One is how pervasive the idea of the Hemingway-esque writer must be in American culture for a young kid to imagine that’s how writers write.  It would be years until I got another glimpse of the writing life, courtesy of Louisa May Alcott and Jo March.  The other thing I realized is that I put the idea of writing aside because I was pretty sure I had no imagination. 

Archaeologists make a habit of reconstructing lives from trash, walking around in the shoes of people who’ve been dead for hundreds or thousands or tens of thousands of years.  But that’s just scientifically-informed speculation, based on hard data—right? 

I still get uncomfortable considering the notion of imagination.  But after having written six mystery novels, it became quite clear that I wasn’t writing biography or field reports, so something else had to be going on.  And when I started writing about werewolves and vampires and oracles (albeit with some archaeology and history thrown in), it became even more apparent I wasn’t writing non-fiction.  These creatures weren’t in my reference books or and didn’t appear in my data collections.  They had to come from somewhere else.  And the books and stories had my name on them, so…

Imagination was still a mystery.

Walking down my street a couple of years back, I happened to notice what looked like a chunk of human skull perched on a rock outcrop.  My first thought was, jeez, whoever that belonged to had a head the size of a watermelon!  Then my second thought was, okay, how did that chunk of skull get there?  And it’s kinda flat to be a cranium.  Then, oh, it’s a dried out piece of pumpkin, left here from the autumnal pumpkin-smashing rites.  Then I felt very stupid.  Of course it was more likely a piece of bark or pumpkin and not a human skull.

Well, yeah, more likely.  Occam’s razor and all that.  And that’s when it struck me.  It would have been far more interesting if it had been a human skull, far more interesting to ask how the skull might have arrived there, why no one had noticed it, etc. 

That was my first insight into what imagination might be.  Not grand inspirations from on high, not a divine gift, not the touch of the Muse (pick a Muse, any muse).  I think the key to imagination might be not immediately squelching the first notion that pops into your head.

It’s going with that first weird thought and not censoring your questions about it, or your responses to it, at least not until you’re at the editing stage.  Just don’t trample the odd way you happen to see things at first, don’t squelch that inspiration.  There’s plenty of time for logic later. 

Dana’s 411:

Whether writing noir, historical fiction, urban fantasy, thriller, or traditional mystery, Dana Cameron draws from her expertise in archaeology. Her fiction (including several Fangborn stories) has won multiple Agatha, Anthony, and Macavity Awards and earned an Edgar Award nomination. The first of three novels set in the Fangborn ‘verse, Seven Kinds of Hell, will be released March 12 by 47North. Dana lives in Massachusetts with her husband and benevolent feline overlords.

Categories: shelf life

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Today’s bit is a guest spot from Dana Cameron. Dana and I have been good chums for years so that’s why I’m entrusting Simon Sez over to her. She’s also the proud mother of a brand new book, Seven Kinds of Hell.

Got Imagination?

By Dana Cameron

 
When I was growing up, I thought briefly about becoming a writer, but ultimately decided against it.  Because I wasn’t interested in getting into bar fights or running with the bulls, I figured I would never make it.  So, at the tender age of six or seven or eight, I put that dream aside and shortly thereafter was bitten by the archaeology bug.  I think about that now, and I’m struck by two things.  One is how pervasive the idea of the Hemingway-esque writer must be in American culture for a young kid to imagine that’s how writers write.  It would be years until I got another glimpse of the writing life, courtesy of Louisa May Alcott and Jo March.  The other thing I realized is that I put the idea of writing aside because I was pretty sure I had no imagination. 

Archaeologists make a habit of reconstructing lives from trash, walking around in the shoes of people who’ve been dead for hundreds or thousands or tens of thousands of years.  But that’s just scientifically-informed speculation, based on hard data—right? 

I still get uncomfortable considering the notion of imagination.  But after having written six mystery novels, it became quite clear that I wasn’t writing biography or field reports, so something else had to be going on.  And when I started writing about werewolves and vampires and oracles (albeit with some archaeology and history thrown in), it became even more apparent I wasn’t writing non-fiction.  These creatures weren’t in my reference books or and didn’t appear in my data collections.  They had to come from somewhere else.  And the books and stories had my name on them, so…

Imagination was still a mystery.

Walking down my street a couple of years back, I happened to notice what looked like a chunk of human skull perched on a rock outcrop.  My first thought was, jeez, whoever that belonged to had a head the size of a watermelon!  Then my second thought was, okay, how did that chunk of skull get there?  And it’s kinda flat to be a cranium.  Then, oh, it’s a dried out piece of pumpkin, left here from the autumnal pumpkin-smashing rites.  Then I felt very stupid.  Of course it was more likely a piece of bark or pumpkin and not a human skull.

Well, yeah, more likely.  Occam’s razor and all that.  And that’s when it struck me.  It would have been far more interesting if it had been a human skull, far more interesting to ask how the skull might have arrived there, why no one had noticed it, etc. 

That was my first insight into what imagination might be.  Not grand inspirations from on high, not a divine gift, not the touch of the Muse (pick a Muse, any muse).  I think the key to imagination might be not immediately squelching the first notion that pops into your head.

It’s going with that first weird thought and not censoring your questions about it, or your responses to it, at least not until you’re at the editing stage.  Just don’t trample the odd way you happen to see things at first, don’t squelch that inspiration.  There’s plenty of time for logic later. 

Dana’s 411:

Whether writing noir, historical fiction, urban fantasy, thriller, or traditional mystery, Dana Cameron draws from her expertise in archaeology. Her fiction (including several Fangborn stories) has won multiple Agatha, Anthony, and Macavity Awards and earned an Edgar Award nomination. The first of three novels set in the Fangborn ‘verse, Seven Kinds of Hell, will be released March 12 by 47North. Dana lives in Massachusetts with her husband and benevolent feline overlords.

Categories: shelf life

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