Simon Wood

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Hey, it must be my birthday!  Well, actually it is in a couple weeks, but that’s not important right now.  The important thing is that Amazon has named ACCIDENTS WAITING TO HAPPEN & DRAGGED INTO DARKNESS in their 100 Hundred Books for April.  It’s an interesting pairing as ACCIDENTS WAITING TO HAPPEN was my first book & DRAGGED INTO DARKNESS was my first short story collection. So it’s quite nostalgic to see these books back in the limelight.  Anyway, to the meat of the subject.  Both books have promotion pricing, but ACCIDENTS WAITING TO HAPPEN ebook is only 99cents this month. Hopefully that’s whetted your appetite.

Josh Michaels isn’t wanted dead or alive—just dead. That fact becomes shockingly clear when a stranger runs his car off the road. Instead of a helping hand, the man gives Josh a “thumbs down” and abandons him to what is almost certainly a watery grave. Luckily, Josh cheats death…this time. But when more harrowing “accidents” threaten his life, it’s clear he’s a marked man.

Are his past mistakes coming back to bite him? Or is something more sinister afoot? And how can he convince his family, friends, and especially the cops that he’s in danger? The harder Josh fights to stay alive, the more determined his unknown enemy is to see him dead. And the deeper he digs for answers, the more chilling the truth becomes. As his time and luck rapidly run out, he must unmask an insidious conspiracy bent on making a killing—in more ways than one.

Nerve-jangling noir doesn’t get much blacker than Simon Wood’s top speed trip into cold-blooded murder and hot-blooded vengeance.

DRAGGED INTO DARKNESS:
People spend their entire lives staving off the dark—but no matter the measures taken, black paths and shadowy pits lurk in the unlikeliest of places, waiting to pull the unwary into the depths of despair.

These eleven tales offer a morbid sampling of the many forms and fashions of terror—from the subtle prickling of neck hairs at the kiss of a ghostly breeze to the raw-throated screams and feverish clawing of a desperate fight for survival.

Witness eleven people torn from their ordinary lives and cast into twisted realities that test their sanity, faith, and very will to live…

A pilot must land a crippled aircraft on an impossible runway…

A doctor feels far too much sympathy for his deformed patients…

A schoolgirl’s secret contract could cost her mother’s soul…

A woman whose pack-rat obsessions hide the obscene…

For these and seven others, the darkness comes from within and without, subtle, deadly…and relentless.


I hope you’ll check these books.  I don’t think you’ll be disappointed.  🙂

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Hey, it must be my birthday!  Well, actually it is in a couple weeks, but that’s not important right now.  The important thing is that Amazon has named ACCIDENTS WAITING TO HAPPEN & DRAGGED INTO DARKNESS in their 100 Hundred Books for April.  It’s an interesting pairing as ACCIDENTS WAITING TO HAPPEN was my first book & DRAGGED INTO DARKNESS was my first short story collection. So it’s quite nostalgic to see these books back in the limelight.  Anyway, to the meat of the subject.  Both books have promotion pricing, but ACCIDENTS WAITING TO HAPPEN ebook is only 99cents this month. Hopefully that’s whetted your appetite.

Josh Michaels isn’t wanted dead or alive—just dead. That fact becomes shockingly clear when a stranger runs his car off the road. Instead of a helping hand, the man gives Josh a “thumbs down” and abandons him to what is almost certainly a watery grave. Luckily, Josh cheats death…this time. But when more harrowing “accidents” threaten his life, it’s clear he’s a marked man.

Are his past mistakes coming back to bite him? Or is something more sinister afoot? And how can he convince his family, friends, and especially the cops that he’s in danger? The harder Josh fights to stay alive, the more determined his unknown enemy is to see him dead. And the deeper he digs for answers, the more chilling the truth becomes. As his time and luck rapidly run out, he must unmask an insidious conspiracy bent on making a killing—in more ways than one.

Nerve-jangling noir doesn’t get much blacker than Simon Wood’s top speed trip into cold-blooded murder and hot-blooded vengeance.

DRAGGED INTO DARKNESS:
People spend their entire lives staving off the dark—but no matter the measures taken, black paths and shadowy pits lurk in the unlikeliest of places, waiting to pull the unwary into the depths of despair.

These eleven tales offer a morbid sampling of the many forms and fashions of terror—from the subtle prickling of neck hairs at the kiss of a ghostly breeze to the raw-throated screams and feverish clawing of a desperate fight for survival.

Witness eleven people torn from their ordinary lives and cast into twisted realities that test their sanity, faith, and very will to live…

A pilot must land a crippled aircraft on an impossible runway…

A doctor feels far too much sympathy for his deformed patients…

A schoolgirl’s secret contract could cost her mother’s soul…

A woman whose pack-rat obsessions hide the obscene…

For these and seven others, the darkness comes from within and without, subtle, deadly…and relentless.


I hope you’ll check these books.  I don’t think you’ll be disappointed.  🙂

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A few years back, I was on a panel and an audience member asked what kind of writers we were. Struggling was the first thing that sprung to my mind, but that wasn’t the answer the questioner was looking for. I never felt that I had an agenda or a platform to perch my work upon. It was a really good question and it got me thinking.

I see themes in other writers’ work. I love Ruth Rendell when she writes under her Barbara Vane pseudonym. Guilt rears its ugly head in virtually all of her Vane novels. For those that have read her, just look at A Fatal Inversion, Gallowglass, The Chimney Sweeper’s Boy, No Night Is Too Long and The Brimstone Wedding to name a few. The characters have done something wholly terrible and they want it kept quiet, but no matter how depth the truth is buried, it finds a way of rising to the surface. At times, it’s hard to like these people but I can empathize with them. Luck sometimes keeps us from falling down a crevice of bad decision-making. I’ve noticed that Peter Straub often deals with a past injustice that only come to light generations later. When I notice a common thread, I wonder what the root cause is for the theme. What’s the source of the muse that created all these great books? What locked boxes do these authors have? Maybe none. Maybe I’m transferring too much of myself into the situation and reading things that aren’t there. But I hope not. 🙂

But what about me. What can o’ worms get opened up every time I write a tale. When I examine my stories, I do see a common theme running through them all. Predicaments seem to play a central role in my stories. Usually an unsuspecting person, an average Joe by every definition, is put on the spot. A situation arises that my protagonist can’t walk away. The reason they are there is usually their own fault. Sometimes it falls into the no good deed variety, but usually, the story’s hero has done something to get them ensnared. A tryst. An indiscretion. A little white with a black edge. A past mistake. These factors are subject to Newtonian psychics. For every action, there’s an equal and opposition reaction. It doesn’t matter how minor the mistake my characters have committed, there’s a price to be paid. Things come back to trip my protagonists up. This means my heroes are starting off on the back foot. They are struggling with desperate times where failure means the destruction of their comfortable way of life. So my stories are told from a nightmarish stance. My protagonists are desperate when the reader meets them.

Where do these characters come from? Why have I chosen storylines like this? I think it’s because I can identify with these people. I live a pretty ordinary life, but I can see how fine a line I walk. One bad decision and my life could change forever. There have been several instances in my life where something I’ve done has come back to bite me (and I may share one or two of these over the month). Some very innocuous actions have caused some of these instances. I also grew up with a number of people who bit off more than they could chew and it really cost them. So when my what-if synapses kick in, it usually centers on a minor action that will snowball into something large. The stories in Asking For Trouble touch this subject again and again from different angles. Matt joins the Taskmasters to turn his life around and ends up on the wrong side of the law. In Making End Meet, Richard’s in-laws are draining his financials until he finds a way of dealing with them, but his attempts backfire. Leah is trying to defend her home, but there’s a bigger price to be paid when she brings A Gun In The House. These characters will either succumb to these situations or fight to drag themselves clear of danger.

So I have a method to my madness and I like it, because life has a funny way of turning mean when you cross a line. Just ask Anthony Wiener.

Yours trying to be good,
Simon

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A fascination for the odd and the obscure drives my writing. I’m always on the lookout for strange but real occurrences that would make for a really interesting story. When I discovered the unusual business world of viatical settlements, lightning struck and I knew I had a novel.

So what are viatical settlements and what makes them so special? In a sense, they’re a reverse insurance arrangement. If you own a life insurance policy and you want to cash it in, you go to a viatical settlement agent who will find someone to buy it. The buyer will give you pennies on the dollar for your policy and take over the monthly dues on your life insurance. In return, they will become the beneficiary when you die. The closer you are to the grave, the bigger the payout.

Viatical settlements were aimed at the elderly and the terminally ill to cover final expenses and make their last days comfortable, but the industry really took off in the late 80’s and 90’s when HMOs weren’t covering AIDS and HIV patients. Patients needed money for treatment and viatical settlements provided the perfect vehicle for that. The industry hit the skids in the late 90’s when breakthroughs in AIDS drugs extended life expectancies and the payout times increased.
I saw the beauty and the beast in this arrangement. Viaticals give people a second shot at life, or at least a comfortable end, allowing them to live out their life worry free. On the other hand, viatical settlements are a truly ghoulish proposal. Some companies ran late-night advertisements telling people how they could make money quick. See a 25% return on your money in 12 months or less. To the investor, that sounds great. But to achieve that return, someone has to die. There is no way to ignore the fact that the policy buyer is profiteering off the dead.

I came across viatical settlements on a TV news magazine show. The feature was well done. The story covered all the parties involved in one of these arrangements. They interviewed a person with HIV who had sold their life insurance as well as a retired couple who had purchased several policies through a middleman who arranged the sales. It was great to see a person who’d had one foot over the threshold of death’s door come back from the brink after selling his policy. It was shocking watching the retired couple that had sunk their retirement fund into viatical settlements. They displayed vehement disgust for the people they’d paid good money to who hadn’t had the good graces to die as predicted.

The news clip ended with a kicker and it was that kicker that really grabbed my attention. The middleman is supposed to keep the identities of the buyer and seller confidential. The man with HIV who’d sold his life insurance produced a birthday card. It had arrived unsigned on his last birthday. The message was simple and to the point. It said: Why aren’t you dead yet?

I couldn’t let this go. There was a book here. Viatical settlements presented a very interesting concept. Criminals aren’t the only ones with a price on their heads. Everyone is worth more dead than alive, thanks to their life insurance. And what if the beneficiaries can’t afford to wait to inherit? A murder would lead someone to the beneficiary, but an accidental death wouldn’t.

For Accidents Waiting to Happen, I stretched the rules concerning viatical settlements a bit to create a cat and mouse thriller. I made rules surrounding viaticals much more far ranging. Essentially, anyone could qualify. In the book, Josh Michaels takes a bribe to pay for his newborn child’s medical expenses. His secretary blackmails him when she learns of the bribe. To pay her off, Josh sells his life insurance policy. Years later, when the bribe, the blackmail and the policy sale are long forgotten, he’s driving home when he’s forced off the road by another vehicle into a river. Instead of helping Josh, the driver gives him the thumbs-down gesture and drives off. Josh survives the accident and learns he’s not the only having accidents. The one thing these people have in common is that they’ve all made a viatical settlement in their past.

Usually, truth is stranger than fiction, and I love that, but if I can get a hold of it, I’ll make that fiction a little stranger.

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I live with a cold blooded killer. I haven’t turned him into the cops because he’s my cat, Tegan.

He’s on a roll at the moment. It’s spring and that means young and inexperienced creatures are poking their heads from their protective homes and Tegan is there to bite them off. I spent last week picking up the chewed remains of mice, rats, birds and a lizard. As soon as I’d drop a carcass in the trash, he’d have the remains of something else dangling from his jaws.

“Tegan, you git. Stop killing things.”

He’d look at me with a typical cat arrogance that said, “Yeah, right.”

After I’d dealt with his latest trophy and sat down, he joined me on the couch for cuddle and a purr (okay, I purr. It’s what I do). I stared into his big eyes and I looked for a sign of remorse and obviously saw none. Morally, he wasn’t doing anything wrong. He’s an animal and his genetic code is programmed with the need to hunt and kill—irrespective of how much kibble I give him. He’s doing what he’s supposed to do. But he takes lives on a pretty regular basis without a hint of killer’s repentance.

That chilled my human sensibilities.

Transpose Tegan’s killer instinct to a person and that person wouldn’t be a cute, furry companion, that person would be a psychopath, no ifs or buts. Tegan can wander in from a kill, snuggle up to me for companionship then clean up the two kittens he’s rearing. Sounds cool for a cat, because we accept this as cat behavior, but we don’t accept this behavior in all things. Substitute a person for Tegan and Tegan’s behavior would present a very different picture. Imagine a father like any other caring for his family while there is still blood under his fingernails. This is serial killer country.

People always ask, ‘where do you get your ideas?’ I don’t have to trawl through the aisles of the true crime section to learn about killers, or even experience terrible events. Sometimes, I don’t have to leave the house.

Stories are out there waiting to be discovered. Anything and everything can be the ignition source for a story. It’s all about watching the world around me and seeing how things interact and what everyone else misses. Usually, it’s the little things that people miss that make for the best stories. With a little ingenuity, the mundane can become the extraordinary.

So Tegan could be the genesis for a very nasty killer. All it takes is a little imagination and a dash of transposition. 🙂

Yours on golden pondering,
Simon

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I’m fading…kind of.

I received a very sweet letter from one of my publishers last week. I’d ghost written a book for them a few years ago. They got in touch to tell me that they were remaindering the remaining print run (essentially selling the remaining stock to the likes of Half Price Books) and that they were not picking up the option to do a reprint. Essentially, this is the end of the road for that book. They told me not to take the news personally and it was no reflection of me. I thought that was sweet. Other publishers haven’t been so caring of my feelings. Those letters chose the tone of a football coach—we’re junking your book, now walk it off, pussy.

That’s not the only book of mine to fall on the endangered list. I found out there are only four copies of WORKING STIFFS left. THE SCRUBS went out of print last year. There aren’t any plans to reprint THE SCRUBS, although we are talking about a new edition of WORKING STIFFS. And in 2010, all my Dorchester/Leisure paperbacks came off the shelves when they had their financial meltdown.

So in recent years, I’ve seen a lot of my work live out their publishing lifecycles. I’m not particularly upset by that. I have to make space for new work, but at the same time, I do have an attachment to my books. I put everything into their conception and birth, so it’s hard not to be a little teary eyed when they disappear.

But I’m not too downbeat. Just like Dracula, no book truly dies. Rebirth is always around the corner. Just like energy, they cannot be destroyed, they can only change form. Last year, I resurrected my extinct backlist as eBooks. Foreign editions are still coming out and I hope to share some news about further resurrections soon.

So while a part of my work is fading, I’m not concerned, because there are new and wonderful things on the horizon lighting my way. If they weren’t, then I might be a little less upbeat. 🙂

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From time to time someone will take me to task over my characters—usually my protagonists. The usual complaint is over my hero’s “goodness.” The remarks usually center on, “You know, if your main guy had done the right thing in the beginning, he wouldn’t have gotten himself into all that trouble.” And those people are right. My good guys have usually done something to put themselves in the position they find themselves in. It’s somewhat of a personal belief. If you stray from life’s straight and narrow, then life’s probably going to bite you in the ass and keep biting.

I’m happy with this trait of my stories. Squeaky clean characters blazing a trail for all that is good and right don’t excite me. I like fallible people. People who know to put on oven mitts because they’ve gotten burned a couple of times, not because they’ve been told not to touch hot things without them. I guess I identify with these sorts of characters. I’ve committed a few minor infractions in my time and the repercussions have snowballed. I think it’s the gathering pace of the payback that intrigues me and drives my fiction. The fear and panic experienced when a situation goes sideways makes for great stories, if not for real life.

I must admit it has colored the way I look at the world. I’m not a glass half-empty kind of a guy but more a glass half-filled with something corrosive tipping over and spilling everywhere kind of a guy. I have a habit of predicting how a bad situation will get worse. Once you’ve tempted fate, it has its own gravitational pull that is inevitable.

The spark that ignites my storylines is a moment of weakness. The character is presented with a situation that nine times out of ten they’d ignore, but circumstances are skewed this one time. He’s out of a job. She’s just been dumped. These characters are in a weakened state when an opportunity is presented. Instead of blowing it off, they throw caution to the wind and act out of character. Naturally, it doesn’t pan out and it is going to take a whole lot of fixing to set everything right again. Moments of weakness are dangerous currency.

Lowlifes really underscores the idea of someone at their lowest ebb because of their human frailties. The story centers on Larry Hayes, a San Francisco Detective. He thinks his life has already hit rock bottom. He’s lost his family to divorce and he’s clinging to his career by a thread. All this stems from a painkiller addiction he can’t kick that he picked up from an on-the-job injury. But there’s another level for Hayes to fall as he finds out when he wakes up in an alley after a bad trip with no memory of the last four hours. He thinks this is the wakeup call he needs to turn his life around, but his problems intensify when he receives a call from a homicide inspector. Hayes’ informant, a homeless man named Noble Jon, lies dead two blocks away, beaten and stabbed. The eerie pang of guilt seeps into Hayes. During his lost four hours, he’s been in a fight. His knuckles are bruised and there’s blood under his fingernails. Is he Jon’s killer? The mounting evidence says so. To add insult to injury, his wife has employed a PI to dig up dirt on him to ensure she gets sole custody of their daughter. Hayes mounts an off-the-books investigation and disappears amongst the city’s homeless community to stay one step ahead of a murder charge. In a fight to save his neck, Hayes faces a much larger issue—stay on the path he’s on or turn things around? Despite his faults, isn’t that a character you’d want to read about?

I guess I like my shop-soiled heroes, maybe not to hang out with, but to read and write about. It has a lot to do with how someone reacts under insurmountable odds. There’s more at stake than the mystery or the crime to solve. The character’s soul is at stake as well. And I can’t help root for someone in that position. Everyone loves a comeback kid. I think I also identify with human frailty and characters like Larry Hayes. While I have never done any of things Hayes has done, I can’t say I couldn’t land myself in that level of trouble. I don’t think any of us can. We’re all capable of screwing up bad badly under the right (or maybe it’s wrong) circumstances. There for the grace of God go I and you—don’t pretend you’re infallible. We all have our moments of weakness.

That concludes Lowlifes‘s month in the spotlight. So I’ll leave you with the first three chapters from the book. Enjoy!

Chapter One
Chapter Two
Chapter Three

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Lowlifes centers on a murder in the homeless community. As I wrote the story, it could have been easy to show the homeless in stereotypical terms as people lower down on the totem pole than the rest of society. I made it an aim of the story to show all kinds of homeless people, the likeable and the not so likeable.

I think the prospect of becoming homeless is a haunting one. A roof over our heads is such a basic need that it’s hard to imagine living without one. No one sets out to live on the streets, but life and circumstances can get away from us and there’s nothing to say that any one of us couldn’t end up homeless, especially these days. It’s easier to fall off life’s tightrope than you think.

The reason this subject appealed to me is that I’ve encountered all sort of homeless people. A few years ago, I was riding my bike into work early because I had to attend an offsite seminar. Unfortunately, I’d forgotten my keys to the building. This resulted in to me changing out of my ratty cycling clothes and into my work clothes by a fountain. With the early hour, I could get away with stripping down to underwear without being caught. So I thought. Just as I was pulling on my trousers, a young couple came around the corner and saw me. They were obviously homeless. They used the central plaza to sleep and the water fountains to the clean up. They mistook me for fellow homeless person and a new one at that and proceeded to tell me where I could get food, what water was fresh to drink and wished me luck on getting back on my feet. It was such a touching exchange that I never shared the encounter with my bosses. I didn’t want the plaza being locked down to make it impossible for this couple to come and go.

A couple of years ago, my sister was in Denver for a conference. She was shocked to find that several of the hotel staff working the conference were sleeping rough on the streets at night. She got to talking to a couple of these people who were in their early twenties who explained they could afford to eat, but not to live anywhere. My sister struggled on a personal front with that harsh reality.

Quite recently, late at night, a man offered to wash my wife’s windshield at a gas station in San Francisco. At first, she said no, but after she filled up, she offered the guy a couple of bucks. He refused the handout and said he’d only take the money if he cleaned Julie’s windows, so she let him. While he worked, they talked. He explained he’d been laid off, the benefits had dried up and he had no money coming in. He refused to beg for money, but he was desperate to work, even if it was for loose change. It’s hard not to admire someone for that level of self-respect.

I guess I’m saying you can’t judge person just by looking at them or by the situation you find them in. You have to talk to people first before you can make an assessment. I can’t say every homeless person I’ve encountered is like the people I’ve described. Some homeless people have been rude, aggressive, crazy and/or unredeemable. So when I’m approached by a homeless person, I always engage them. I may not give on every occasion, but I never pretend the person doesn’t exist, because if the tables were turned, I would want someone to give me a moment of their time.

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Lowlifes centers on a washed up cop investigating the murder of a homeless man. When my collaborator moviemaker, Robert Pratten, approached me with the idea of a crime story set in the homeless community, it immediately appealed to my sensibilities. Regardless of your opinions regarding the homeless, the idea of becoming homeless is a scary thought and in these dire economic times, it’s something that could happen to any of us. That’s the great appeal of Lowlifes to me. That a calamity such as homelessness could strike any one of us.

It’s very easy to judge others and their decisions, but I believe we walk a fine line in our daily lives. I’ve spoken to book clubs where readers have remarked that they would never find themselves in the predicaments that some of my characters find themselves in. I say you just haven’t found yourself in awkward predicaments—yet. Circumstances bigger and meaner can strike us at any time and wreck our lives. Homelessness could be the result, but so could jail, divorce, loss and a host of other things. The upshot is that our lives can be upended at any moment.

So, when Robert presented me with a brief outline for the book, there were certain things I wanted to have in the story. The protagonist is San Francisco PD detective, Larry Hayes. He’s lost his wife and daughter to divorce. He’s lost his self control to a painkiller addiction picked up from an on-the-job injury. And he’ll lose his career if he doesn’t get a handle on his life. It could be argued that Larry has fallen off the tightrope, but for me, he hasn’t. He stands on the precipice. His situation can get a whole hell of a lot worse. He can end up living on the streets like the man whose murder he’s investigating or he can take a grip on his life and turn it around. Maybe sifting through an already ruined life reflected back at him will be the thing to help Larry find his balance and keep from falling.

I don’t necessarily condone the decisions that Larry Hayes has made when readers meet him on page one, but I sympathize. I don’t believe any of us can say we wouldn’t allow ourselves to end up in Larry’s position. Life’s rug can be yanked out from under us at any time. Luck, timing and due diligence ensures that it doesn’t happen too often, but sometimes, luck plays against us and it all goes wrong in a hurry.

So let Larry Hayes’ story be a warning to us all that the ground under our feet isn’t as stable as we take for granted.

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LOWLIFES is February’s book of the month. It’s a crime novella set in San Francisco. Unlike my other books, it wasn’t my idea. Someone came to me with a story idea and this was the result…

Storyline: San Francisco Detective Larry Hayes thinks he’s hit bottom when he wakes up in an alley after a bad trip with no memory of the last four hours. This is only the beginning of his problems. Two blocks away, Hayes’ informant, a homeless man named Noble Jon, lies dead, beaten and stabbed. The eerie pangs of guilt seep into Hayes. Is he Jon’s killer? The mounting evidence says so. Hayes mounts his own investigation to stay one step ahead of murder charge and disappears amongst the city’s homeless community.

What They Are Saying About the book:
“A terrific pulp-fiction piece that reminds us just how easy it is to fall off life’s tightrope.”
— SJ Rozan, Edgar Award winning author

“Inspector Hayes, a complex, likable cop, finds himself in a world of trouble. Lowlifes grabs you on the first page and is nonstop action to the end.”
— LJ Sellers, author of The Detective Jackson series

“Lowlifes provides a gripping , Rashomon-like look at the murder of homeless police informant Noble Jon. Innovative use of multiple media and alternative technology amps the verisimilitude while providing a deeper insight the characters’ desperate motives. An intriguing twenty-first century murder mystery.”
— Mark Coggins, author of The Big Wake Up

“Simon Wood’s inventive and original LOWLIFES takes you on a tour of San Francisco no tourist gets to see. The ride’s as thrilling as a high-speed chase down Lombard Street, and just as twisty. Don’t miss it!”
— Kelli Stanley, author of City of Dragons

Over the coming weeks, I’ll share a little on how this book came about and what happens next. Enjoy!

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