Simon Wood

Posts Tagged: paying the piper

I’ve got some good news on the translation front.  Newton Compton has bought the Italian rights to PAYING THE PIPER for a hardback release.  This is my second book with them.  And Limos has bought the Turkish rights to THE ONE THAT GOT AWAY.   This is my first book with them, although my second Turkish book, so I hope this is the start of something good with Limos.

I love that my books get translated across the world.  It’s amazing to think people around the world get to discover my stories.  There are some countries that I still hope will pick up my books.  I’m looking at you Japan and Sweden.  🙂

Here’s hoping…

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Time pull back the sheet on the cover of my next book, SAVING GRACE.  I can’t say too much about the book other than it’s the follow-up to PAYING THE PIPER.  Scott Fleetwood and Tom Sheils are back.  The book will be in January.  You can preorder it already.

The story goes like this:

Former reporter Scott Fleetwood and his family are still recovering from the aftermath of tangling with the notorious kidnapper, the Piper, when another kidnapper grips the city. The Shepherd announces to the San Francisco Independent that he has snatched a young girl from a vacationing family. Other than money, he has only one other demand—he’ll only talk to Scott. The request brings in Special Agent Tom Sheils and his team to work the case and watch over Scott. The Shepherd promises the girl’s safety as long as Scott follows the rules of his game. Forced to trail the kidnapper’s twisting lead—and haunted by a previous victim he failed to save—Scott is desperate to keep the past from making a brutal comeback.

But just when Scott and Sheils think they’re winning and that it will all be over soon, the Shepherd ups the stakes. Scott begins to realize he’s a pawn in a scheme that runs deeper than greed…and colder than death.

I hope you’ll check it out.   🙂

 

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May is a bumper month for bargain books.  Amazon has gone to town with a whole host promotional offers on my books in the US, UK and Germany!!  Brace yourself.  Here they all are!!

ACCIDENTS WAITING TO HAPPEN: Someone is out to kill Josh Michaels. An SUV runs him off the road and into a river. As his car goes down, the SUV’s driver watches only to calmly give him the “thumbs down.” This is only the first of the attempts. With his time—and maybe his luck—running out and no one willing to believe him, Josh had better figure out who wants him dead and why…before it’s too late.

Just 99c at Amazon

PAYING THE PIPER: The Piper is the infamous child kidnapper. When the Piper selected crime reporter, Scott Fleetwood, to chronicle his latest kidnapping, Scott thought he had the world in his grasp, but he held nothing.  Now, eight years later, the Piper’s back, with very specific targets in mind—Scott’s children. He can have them back as long as he can pay the ransom, but it’s a ransom not measured in dollars, but in blood.

Just 99p at Amazon UK.

THE ONE THAT GOT AWAY: Zoë and Holli’s Vegas road trip goes wrong when they’re abducted. Zoë escapes leaving Holli behind. A year later and still tortured with guilt, Zoë latches on to a murder that eerily resembles her abduction. Her attempts to find justice for Holli brings her to the attention of the “Tally Man.” For him, she is not a survivor but simply the one that got away.

Just 99p at Amazon UK

Was sie nicht tötet: Für die Studentinnen Zoë und Holli wird der Roadtrip nach Las Vegas zum Albtraum: Sie geraten in die Gewalt eines sadistischen Killers. Zoë kann entkommen, doch ihre Freundin muss sie zurücklassen.  Ein Jahr später wird Zoë noch immer von ihren Schuldgefühlen gepeinigt. Dann passiert ein weiteres Verbrechen, das auf schaurige Weise ihrer Entführung ähnelt. Gemeinsam mit einem Ermittler der Polizei versucht sie, die schicksalhafte Nacht in der Wüste zu rekonstruieren, in der Hoffnung, dass die Tat endlich gesühnt wird. Ihr Entführer wartet jedoch bereits auf Zoë. Für ihn ist sie keine Überlebende, sondern nur ein Opfer, das ihm vorübergehend entkommen ist.

Just Eur 2,49 at Amazon GMBH

Die Abrechnung des Kinderfängers: Über Jahre hinweg wurde der Entführer mit dem Spitznamen »der Kinderfänger« reich, indem er serienweise die Kinder der wohlhabendsten Familien San Franciscos entführte. Als der Kriminalreporter Scott Fleetwood einen Anruf von einem Mann erhält, der sich als der Kinderfänger ausgibt und ein exklusives Interview anbietet, packt Fleetwood die Gelegenheit beim Schopf. Aber der Anrufer erweist sich als Schwindler, und die überhastete Entscheidung kostet das aktuelle Opfer des echten Kinderfängers das Leben. Acht lange Jahre lebt Fleetwood mit der unerträglichen Schuld und der beständigen Verachtung der gesamten San Francisco Bay Area. Nun hört er vom echten Kinderfänger – und diesmal geht es nicht um ein Interview. Der Kidnapper hat den Sohn des Reporters. Aber er will kein Geld … er will Blut. Und er wird Fleetwood dazu benutzen, es zu bekommen.

Just Eur 2,49 at Amazon GMBH

I hope you’ll take advantage of this offer.  If you’ve never read any of my books, this might be the perfect time to start.  Enjoy!!

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Only one bargain book to report this month…and it’s only for my UK readers.  Sorry the rest of the world.

PAYING THE PIPER: The Piper is the infamous child kidnapper. When the Piper selected crime reporter, Scott Fleetwood, to chronicle his latest kidnapping, Scott thought he had the world in his grasp, but he held nothing.  Now, eight years later, the Piper’s back, with very specific targets in mind—Scott’s children. He can have them back as long as he can pay the ransom, but it’s a ransom not measured in dollars, but in blood.

Just 99p at Amazon UK.

I hope you’ll take advantage of this offer.  If you’ve never read any of my books, this might be the perfect time to start.  Piper always seems to be my readers’ gateway book.  Enjoy!!

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I have a few Christmas book bargains to stuff your stockings with.  Several of my books are part of a promotional special so please take advantage of them while you can!

So I hope you’ll pick them up and Merry Christmas and a Happy New Year to one and all.

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4-title-bay-area

DECEPTIVE PRACTICES comes out November 15. Not only is it a new book but it’s also the fourth and final installment of the Bay Area Quartet. The series wasn’t linked by character but by location. I wanted to explore my environment so I broke the Bay Area into four sections and put a book there. DECEPTIVE PRACTICES explores the East Bay (my neck of the woods). The other books in the series being PAYING THE PIPER (San Francisco), WE ALL FALL DOWN (Marin County) and TERMINATED (Alameda).

I hope you’ll check out DECEPTIVE PRACTICES and the other books in the series.

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100k piperIn August, the Thomas & Mercer edition of PAYING THE PIPER hit a milestone by crossing 100,000 copies sold.   Thomas & Mercer commemorated the landmark with a framed copy of the book, which is a sweet gesture.  Publishing is one of those industry that doesn’t commemorate its achievements.

Thanks to everyone who bought a copy.  I’ll be forever in your debt.  And if you have picked up the book, don’t let this good news stop you.  😆

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gary oldmanI saw my author-friend, Tony Broadbent, not too long ago. We hail from the same hometown back in the old country. We got to chatting and he gave me a pat on the head and told me I was an anarchist.

“You’re like the Gary Oldman of the mystery world,” he said.

I love Gary, but I asked, “Is that a good thing?”

“Yes,” he exclaimed. “There’s a lot of anarchy in your writing.”

How subversive, I thought. I’m a rebel without an agenda. Mum will be delighted.

Well, the little exchange got me thinking about my writing. I don’t think people hit the keyboards with an agenda or a theme tucked under their arm—or if they do, it sort of sticks out. Agendas and themes develop on a subconscious level. Well, they do for me. I don’t go out of my way to put a slant on my stories. I just try to entertain, but inadvertently, I show a little leg now and again. So, I looked for the anarchy. And I think I saw it in the shape of conflict.

Conflict. Stories require conflict. It’s a driving force. Characters and stories thrive on it. More so in mysteries and thrillers than other genres. The nature of the genre means there are going to be casualties and collateral damage. So I like to inject my stories with a lot of conflict. The problem is that I’m quite a literal person and I think about things in very pure terms. Blame my engineering background. When I think conflict, I think about total annihilation. Everything my lead character holds dear is under attack. I create this person so that I can destroy them. I place them and their world in an ivory tower, then go about stacking as much C4 explosive around the foundation as possible to blast it all apart. It only seems fair, doesn’t it? Conflict by its nature is salt to a wound. Character assassination is key. Only by putting everything in a protagonist’s world at extreme risk can the character grow and thrive. There can’t be a comfort zone for this person. Wouldn’t you want to read about a character in a situation like that?

I flicked through some of my stories to see what I did to my characters and the annihilation is there. Characters have their reputations destroyed, home life obliterated, are framed for things for crimes they didn’t commit, have personal property confiscated or stolen or destroyed. These characters’ lives will never be the same. There will have to be a lot of rebuilding by the end.

So I guess I do have anarchistic bent. Sorry. It wasn’t intentional. It’s just the way I tell ‘em.

Yours destructively,

Simon

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WeAllFallDown400September seems to be promo month for several of my titles.  So please take advantage of several of these month long discounts.  You have no excuse not to pick me up cheap.  😉

PAYING THE PIPER

The ebook edition of my kidnap thriller filled secrets, lies, mistakes and redemption is £1.00 at AmazonUK.

TERMINATED

The ebook edition of my workplace violence themed thriller is £1.25 at AmazonUK.  This book was inspired by an incident at my wife’s old.

WE ALL FALL DOWN

The ebook edition of my chase themed thriller is $1.99 at Amazon.  Think THE FIRM but with engineers instead of lawyers.  Seriously though the book was inspired by a series of suicides in the UK in the 80’s.

THE ONE THAT GOT AWAY

The trade paperback edition of my bestselling cat and mouse thriller is only $6.99 at the moment at Amazon.  It’s the story of two damaged people who deal with their trauma in completely different ways.

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“Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.” ~Sherlock Holmes

strangerI’m totally with Sherlock on this one…especially when it comes to the improbable.  I’m drawn to the weird, odd and bizarre.  I’m fascinated by the oddities in life that shouldn’t happen.  It appeals to my imaginative sensibilities.  Blame Roald Dahl and Rod Serling for making me believe in the crazy.  It’s the reason why I’m a rabid fan of the show BANSHEE but not LAW AND ORDERBANSHEE is crazy, intense and over the top and only works when the universe’s cosmic tumblers are off, whereas LAW AND ORDER is rooted in the now and the real, which makes it totally mundane to me (sorry Dick Wolf).  If I want mundane, I can pick up a newspaper or watch the evening news.  I want it weird.  I’m an escapist!  What can I say?

That’s why one criticism of my stories is that they push the limits of believability—and that’s true.  They do.  But for all that limit pushing, they don’t go outside the realm of the possible.  I go out of my way to pay attention to for the strange happening in the real world.   I think I have a fascination with the strange because I possess a small talent for calamity myself.  I have many firsthand accounts of how my life went off the rails.  One example was when I had a near fender bender on a roundabout which then developed into someone filing a fraudulent insurance claim against me.  That led to me being charged with half a dozen driving offenses and was topped off by the police handing me a confession they’d written for me to sign.  Seems a little unlikely but it happened to me…which you can read the complete account here.

So if it can happen to me, it must happen to others.

stranger2I’ve discovered some tragic and cruel twists of fate such as a Sacramento motorcycle cop who responded to a fender bender caused by  an elderly man who pulled out of a turn and tee-boned a car.  The cop felt bad for the elderly man and let him off with a warning instead of citing him.  The following week, the same elderly man did the exact same thing at the same intersection.  This time he struck and killed the motorcycle cop who’d let him off.  The weird what-if game that plays out in your head after that is what inspires my stories.

Things like this have been the inspiration for several of my books.  The trade of life insurance on the living which is the backbone for ACCIDENTS WAITING TO HAPPEN is a real thing.  Private security firms being involved with workplace violence claims which is the foundation for TERMINATED came from something that was happening with one of my wife’s employers.  The disturbing series of suicides in WE ALL FALL DOWN were inspired by similar ones that happened between coworkers in the UK in the 80’s.

And while THE ONE THAT GOT AWAY, PAYING THE PIPER, NO SHOW, etc. don’t have any direct link to an actual event, they are inspired by a way of thinking.  Namely, how can a seemingly mundane event get its strange on?

Now I know this outlook might not be to everyone’s liking but if you’re willing to go off-piste and embrace the improbable, then I think you’ll enjoy the ride.

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